Eau de Cologne Speciale de Schiaparelli c1950s

Eau de Cologne Speciale de Schiaparelli: launched in 1958.

Schiaparelli Perfumed Bath Sponges c1940

Schiaparelli Perfumed Bath Sponges. You would drop one of these compressed cotton disks into the tub and it would expand into a full size wash cloth scented with Shocking or Salut perfume.

Art and Industry, 1940;

"Bath sponges — tiny discs which dilate into wash cloths when dipped in water — and heart-shaped, rose-coloured soap are packed in Schiaparelli designed red and white boxes."

Cue, 1951:

"Another traveler's aid is Schiaparelli's Bath Sponge. In the hand, it's a tiny disk, but in water it becomes a full-size fragrant wash cloth. And it does a thorough job of cleansing, too. At $1.75."

Shocking Voyageur Presentation c1958

Shocking Voyageur Presentation by Schiaparelli: launched in 1958. Each item was housed in a brushed gold tone metal canister.

Includes the following:

• 2 oz Spray Cologne
• 10ml Spray Parfum 

Schiaparelli Sac de Parfum c1950s

Shocking Sac de parfum, a refillable purse size perfume bottle created in the 1950s and used well into the 1960s. Made up of ribbed clear glass with a gold plated metal screw cap with Schiaparelli Paris engraved into the top. The bottle stands 2 1/4" tall and holds 1/4 oz. of perfume. You would refill the bottle with the provided funnel.

Schiap by Schiaparelli c1934

Schiap by Schiaparelli: launched in 1934. This was the updated fragrance originally named 'S', first presented in 1928. Renamed Sport in 1952.  It was created to be worn by both men and women for sports.

Chloro-Cologne by Schiaparelli c1952

In 1952, Schiaparelli unveiled a bold innovation in the world of fragrance with Chloro-Cologne. Infused with chlorophyll, this cologne offered a unique twist on traditional scents like Shocking and Si from the Schiaparelli line. Chlorophyll, once heralded for its purported ability to neutralize odors, was a trendy addition in various personal care products of the era, despite later scientific findings that it merely dulled the perception of smells by desensitizing olfactory nerve endings.

 

Harper's Bazaar captured the allure of Schiaparelli's Chloro-Cologne, describing it as a refreshing antidote to the day's heat. Packaged in generous twelve-ounce bottles, it boasted the unmistakable essence of "Shocking," its cool green hue derived from chlorophyll lending an aura of cleanliness and freshness to the skin. Offered at $5, it became a sought-after item at prestigious retailers like Saks Fifth Avenue.

Kiplinger's Personal Finance humorously acknowledged the blend as "Chloro-Cologne de Schiaparelli," mixing chlorophyll with a generous splash of the renowned Shocking fragrance. This combination, perhaps included for its aromatic safety, highlighted Schiaparelli's penchant for bold experimentation in scent composition, marking Chloro-Cologne as both a functional and fashionable addition to personal grooming routines of the time.

Harper's Bazaar, 1952:

"Giant editions of famous classics help improve a September day. Here, twelve ounces of Schiaparelli's Chloro-Cologne scented with "Shocking" and turned cool green by chlorophyll, to keep your skin clean and fresh. $5. Saks Fifth Avenue."

Kiplinger's Personal Finance, 1952:

"Chloro-Cologne de Schiaparelli — chlorophyll plus a slug of the famous Shocking fragrance, presumably thrown in for safety's sake."

Botticelliana by Schiaparelli c1933

The name Botticelliana was first used as a name for a perfume by Schiaparelli in 1933, this was discontinued shortly after it's introduction and was relaunched in 1977.

Eau de Santé by Schiaparelli c1939

Eau de Santé by Schiaparelli: launched in 1939. A cooling eau de cologne meant to be used during the hot weather months.

Shocking Scamp c1940

 The Shocking Scamp was a limited edition presentation created exclusively for the Christmas season of 1940. Designed by influential Italian jeweller Fulco di Verdura

Si by Schiaparelli c1957

In 1957, when Schiaparelli launched her perfume "Si," it was a time marked by post-war optimism and a resurgence of creativity in fashion and art. The name "Si" carries a multifaceted significance that intertwines with both music and the essence of Schiaparelli herself. Derived from the "Valse des Si," a waltz composed by Henri Sauguet dedicated to Schiaparelli, "Si" resonates with musical notes, particularly the note B, and also serves as a play on the French word for "yes" and the English pronoun "it." The name cleverly incorporates the first and last letters of Schiaparelli's surname, embodying a personal touch that reflects her bold and innovative spirit.

Additionally, the association with Juliette Gréco's song "Si" adds another layer of cultural resonance. Gréco, known for her avant-garde style and artistic expression, infused the song "Si" with emotional depth and modernity, mirroring Schiaparelli's approach to fashion and fragrance. Thus, "Si" as a perfume name not only captures musical inspiration but also embodies a sense of sophistication, allure, and artistic flair that defined the era.

The choice of "Si" as a perfume name would have resonated deeply with individuals who appreciated Schiaparelli's avant-garde designs and sought to embody her unique blend of creativity and elegance. Those attracted to the perfume would likely respond with intrigue and admiration, drawn to its evocative name and the promise of a fragrance that encapsulated Schiaparelli's daring and innovative vision.

Le Roy Soleil by Schiaparelli c1946

In 1947, the world was emerging from the devastation of World War II, a conflict that had profoundly altered social, economic, and cultural landscapes globally. The end of the war brought a mix of relief and a collective desire for renewal and celebration. Elsa Schiaparelli, renowned for her avant-garde fashion designs and innovative approach to fragrance, launched "Le Roy Soleil" as a tribute to mark this pivotal moment in history. The perfume aimed to encapsulate the opulence and magnificence associated with the reign of Louis XIV of France, often referred to as the Sun King.

Schiaparelli's choice of the name "Le Roy Soleil" was deliberate and multifaceted. Louis XIV's era represented a pinnacle of French cultural and artistic achievement, characterized by grandeur, refinement, and a flourishing of the arts. By naming her perfume after the Sun King, Schiaparelli sought to evoke the essence of this golden age—its luxury, sophistication, and the aura of divine right associated with monarchy. "Le Roy Soleil" not only paid homage to a historical figure but also symbolized a return to elegance and an aspiration for a brighter future after the dark years of war.

"Le Roy Soleil" would have resonated deeply with those who appreciated history, art, and luxury. It would appeal to individuals with a penchant for nostalgia and a longing for the cultural richness of past eras. Those who related to the perfume would likely respond with admiration, seeing it as a fragrance that transports them to an era of courtly splendor and refined tastes. The scent itself would be expected to embody the opulence and allure of Louis XIV's court, perhaps featuring notes of exotic spices, rich florals, and precious woods that evoke the ambiance of royal gardens and luxurious palaces.

The name "Le Roy Soleil" evokes images of shimmering sunlight filtering through ornate windows of grand palaces, intricate gardens adorned with fountains, and the sumptuous fabrics and perfumes worn by royalty. It evokes feelings of warmth, splendor, and a sense of being transported to a time when art and culture flourished under the patronage of a powerful monarch. For those familiar with French history or enchanted by tales of bygone royal courts, "Le Roy Soleil" promises a sensorial journey into a world of timeless elegance and majesty.

Sleeping by Schiaparelli c1938

In 1938, the launch of the perfume "Sleeping" by Schiaparelli occurred amidst a period marked by both artistic innovation and looming geopolitical tensions. Elsa Schiaparelli, the fashion designer behind the fragrance, was renowned for her avant-garde approach to fashion, often blending surrealism with high fashion. This era saw a burgeoning interest in abstract and dreamlike concepts, mirroring the escapism sought by many in the face of economic hardship and impending global conflict.

Schiaparelli's connection to perfumes was deeply intertwined with her fashion philosophy. She viewed fragrance as an extension of her artistic vision, using it to complement and enhance the narrative of her clothing collections. Her perfumes were not merely scents, but stories told through olfactory notes, evoking emotions and imagery akin to her fashion designs.

The name "Sleeping" for a perfume chosen by Schiaparelli carries layers of symbolism. "Sleeping" suggests a state of tranquility, serenity, and perhaps even latent potential waiting to be awakened. In the context of 1938, amidst growing political tensions and uncertainty, a perfume named "Sleeping" could be seen as an invitation to escape into dreams and fantasy, offering a temporary respite from the harsh realities of the world.

Those who related to a perfume named "Sleeping" might be drawn to its promise of tranquility and escape. They might respond to its fragrance as a soothing balm for the mind, evoking images of serene landscapes, gentle breezes, or the softness of a quiet morning. The scent itself would likely embody floral and powdery notes, invoking a sense of comfort and nostalgia.

Sport by Schiaparelli c1952

Sport by Schiaparelli: launched in 1952.It was created to be worn by both men and women for sports. This was the updated fragrance originally named 'S', first presented in 1928. Renamed "Schiap" in 1934. Renamed Sport in 1952. And then relaunched again as 'S' in 1961 but for women.

Shocking You by Schiaparelli c1976

The mid-1970s was a time of cultural shifts and fashion experimentation. Following the tumultuous 1960s, which saw significant social and political changes, the 1970s continued to break traditional norms. This decade was marked by a mix of rebellion against the status quo and a desire for individual expression. Disco culture was flourishing, with its vibrant, extravagant fashion, while the punk movement was beginning to emerge, challenging conventional aesthetics and societal expectations. Amid this backdrop, fashion designer Elsa Schiaparelli, known for her avant-garde and surrealist designs, made a significant impact.

Schiaparelli, a contemporary of Coco Chanel, was renowned for her bold, unconventional approach to fashion. Her designs often featured unexpected elements, such as her famous lobster dress and her collaborations with surrealist artist Salvador Dalí. Schiaparelli's connection to perfumes was a natural extension of her brand, blending her artistic vision with olfactory creations. She understood that a fragrance could be as much a part of a woman's identity as her clothing, and her perfumes were designed to complement her daring fashion.

The name "Shocking You" is a nod to Schiaparelli's iconic fragrance "Shocking," which was introduced in 1937 and named after her signature shocking pink color. "Shocking You," launched in 1976, would evoke the same sense of surprise and boldness that characterized Schiaparelli's work. The name suggests a fragrance that is daring, provocative, and unapologetically bold, capturing the spirit of the era's desire for self-expression and rebellion.

"Shocking You" would be an appropriate name for a perfume because it encapsulates the essence of Schiaparelli's brand—unconventional, vibrant, and designed to make a statement. It implies a scent that would stand out, defy expectations, and leave a lasting impression, much like Schiaparelli's fashion.

S by Schiaparelli c1928

"S" by Schiaparelli, initially launched in 1928, emerged during a vibrant and transformative period in the 20th century. The Roaring Twenties, a decade marked by significant social, cultural, and economic change, witnessed the rise of modernism, jazz music, and a general sense of liberation. Fashion and lifestyle became central to the expression of this newfound freedom, with designers like Elsa Schiaparelli at the forefront of innovative and daring creations.

The connection of "S" to sports is particularly significant. The 1920s saw an increasing interest in physical fitness and outdoor activities, driven by a societal shift towards health and well-being. The idea of leisure and sportswear was gaining popularity, and Schiaparelli’s perfume was designed to complement this lifestyle. By creating a fragrance intended for both men and women to wear during sports, Schiaparelli broke the traditional boundaries of gender-specific scents, aligning with the progressive and egalitarian spirit of the era.

Schiaparelli's choice of the name "S" is intriguing and multifaceted. "S" is the initial of Schiaparelli's own name, making it a personal signature and a bold statement of identity. Additionally, the letter "S" can evoke numerous connotations: strength, sophistication, and style, all attributes that align with Schiaparelli's brand. As an appropriate name for a perfume, "S" is simple, memorable, and versatile, reflecting the sleek and streamlined aesthetics of the modern age.

The individuals who would relate to a perfume called "S" would likely be the fashionable, active, and forward-thinking men and women of the time. They would appreciate the innovation and the unisex nature of the scent, finding it suitable for their dynamic lifestyles. Their response to this perfume would be one of enthusiasm and admiration, seeing it as an extension of their personality and an enhancement of their active, modern lives.

The word "S" evokes images of serpentine elegance and fluidity, suggestive of both movement and grace. It conjures feelings of sophistication, sleekness, and a certain enigmatic allure. These qualities make "S" not just a perfume but a statement piece, representing the wearer’s connection to the cutting-edge fashion and cultural zeitgeist of the time.

Snuff by Schiaparelli c1939

In 1939, the time period when Schiaparelli launched the perfume "Snuff," the world was on the brink of World War II. This era was characterized by a blend of elegance and practicality in men's fashion, reflecting a society poised between the opulence of the pre-war years and the impending austerity of wartime. Tweed suits were particularly fashionable, embodying a rugged yet refined aesthetic suitable for both formal occasions and outdoor pursuits.

Elsa Schiaparelli, known for her innovative approach to fashion, also ventured into the realm of men's fragrances with "Snuff." The name "Snuff" was inspired by the color brown, which Schiaparelli whimsically dubbed "Snuff," likening it to the fine, powdered tobacco used for sniffing. This choice of name cleverly tied the fragrance to a sense of tradition and sophistication, evoking an image of old-world charm and refinement.

"Scent" would appeal to men who appreciated classic, understated elegance. The fragrance itself was classified as dry, woodsy-mossy, perfectly complementing the rugged yet polished style associated with tweed suits and outdoor activities. It would likely resonate with gentlemen who valued subtlety and timeless sophistication in their grooming choices.

The word "Snuff" evokes images of finely ground tobacco, old leather-bound books, and perhaps even the rustic charm of a gentleman's study. It carries connotations of tradition, refinement, and a hint of nostalgia for a bygone era of masculine elegance.

Zut by Schiaparelli c1948

In 1948, the time period when Schiaparelli launched her perfume "Zut," Europe was emerging from the aftermath of World War II, entering a period of recovery and renewal marked by a blend of nostalgia for pre-war elegance and a burgeoning interest in modernity. This was reflected in fashion trends moving towards more streamlined silhouettes and a mix of optimism and reflection in art and culture.

Elsa Schiaparelli, known for her avant-garde approach to fashion, was also a trailblazer in the world of perfumes. Her connection to perfumes stemmed from her belief that fragrance was an essential part of one's personal style, akin to wearing a piece of clothing. Schiaparelli collaborated with renowned perfumers like Jean Carles and worked with the fragrance house Roure to create scents that embodied her bold and innovative spirit.

The name "Zut," meaning "damn" in French, was characteristic of Schiaparelli's irreverent and daring style. For her, choosing "Zut" as a name for a perfume was likely a playful defiance of convention, injecting a touch of her trademark wit and sass into the fragrance. This name would have resonated with individuals who appreciated Schiaparelli's unconventional approach to fashion and beauty, appealing to those seeking something distinctive and daring in their perfume choices.

Schiaparelli Cologne Concentree c1954

Cologne Concentree by Schiaparelli was a refined and more intense version of the traditional cologne, offering a longer-lasting fragrance experience. This product line included a variety of Schiaparelli's iconic scents such as "Shocking" and "Succes Fou." Cologne Concentree was distinguished by its higher concentration of aromatic compounds compared to regular eau de cologne, making it a preferred choice for those seeking a more enduring and robust fragrance.

In the mid-20th century, the demand for more potent and longer-lasting colognes led to the popularity of products like Cologne Concentree. These vintage colognes often possessed a stronger scent profile than contemporary versions, a characteristic that perfume enthusiasts cherish today. The richness and intensity of Cologne Concentree allowed it to stand out and leave a memorable impression, aligning perfectly with Schiaparelli's bold and innovative approach to perfumery.

An example of the marketing and appeal of Cologne Concentree is found in the 1954 issue of Woman's Home Companion, Volume 81, which highlights Schiaparelli's "Succes Fou Cologne Concentree" in a new mist-spray atomizer bottle. Priced at $3, this product offered a convenient and modern way to apply the fragrance, ensuring an even and delicate distribution of the scent. The introduction of the mist-spray atomizer bottle not only enhanced the user experience but also reflected the evolving consumer preferences for ease of use and portability.

The Cologne Concentree line embodied the elegance and sophistication associated with Schiaparelli's brand, providing a more intense and lasting olfactory experience that resonated with the fashion-forward women of the time. The higher concentration of essential oils in the Cologne Concentree allowed the fragrance to develop and linger on the skin, offering a sensory journey that was both captivating and enduring. This made it an ideal choice for special occasions and daily wear alike, ensuring that the wearer felt confident and distinguished throughout the day.

Woman's Home Companion, Volume 81, 1954:

"Schiaparelli's Succes Fou Cologne Concentree in a new mist- spray atomizer bottle. $3."

Spring n’ Summer Cologne by Schiaparelli c1956

Spring n’ Summer Cologne by Schiaparelli was introduced in 1956, capturing the essence of the warmer seasons with its light, fresh, and invigorating composition. This cologne was designed to be a more airy and vibrant variation of Schiaparelli's established perfumes, tailored for the spring and summer months when lighter fragrances are particularly desirable. The launch of Spring n’ Summer Cologne represented a shift towards more seasonally appropriate scents, catering to the evolving tastes and needs of consumers.

The Spring n’ Summer Cologne was available in the popular "Shocking" scent, one of Schiaparelli's most iconic and beloved fragrances. "Shocking," originally launched in 1937, was known for its bold, exuberant, and complex profile, blending floral and oriental notes. By offering this legendary scent in a lighter cologne format, Schiaparelli provided an option that maintained the essence of the original perfume but with a more delicate and breezy feel, suitable for everyday wear during the warmer seasons.

This cologne was characterized by its brighter and more effervescent notes, which evoked images of blooming flowers, fresh green landscapes, and the invigorating energy of spring and summer days. The formulation was crafted to be light and refreshing, providing a burst of fragrance that uplifted the senses without being overpowering. This made it an ideal choice for those seeking a scent that was both elegant and easy to wear, perfect for casual outings, picnics, and other outdoor activities typical of the season.

The introduction of Spring n’ Summer Cologne reflected Schiaparelli's innovative approach to perfumery, understanding the importance of seasonal fragrance preferences. The lighter, brighter cologne offered consumers the opportunity to enjoy the luxury and sophistication of Schiaparelli's perfumes in a format that complemented the seasonal atmosphere. It was a testament to the brand's ability to adapt and cater to the dynamic tastes of its audience while preserving the signature style and quality that defined Schiaparelli's legacy.

In essence, Spring n’ Summer Cologne by Schiaparelli was a harmonious blend of tradition and innovation, providing a fresh twist on classic scents to suit the lighter, more playful mood of spring and summer. Its launch in 1956 was a reflection of the brand's continuous pursuit of elegance and modernity, ensuring that every woman could find a Schiaparelli fragrance to match her style and the season.

photo by ebay seller cclinne

Where Should I Apply Perfume?

As a general rule, fragrance should be applied to pulse points. This is where the blood vessels are closest to the skin giving off more heat and acting like mini fragrance pumps.

Pulse points are the wrist, crook of the arm and back of the knee, and the base of the throat. Also, for long lasting fragrance spray at the ankles, it allows the fragrance to blossom up. For a sexy twist, apply perfume to your cleavage or spray perfume on your nude body before dressing. The nape of the neck, is a very romantic area, whenever your hair moves it might swish the perfume around, nice little subtle trail of perfumed loveliness.

Apply perfume right after you take a shower or bath. Your pores are more open then and will more easily soak up the scent. Some people say that rubbing the wrists together will crush the scent, I tried this with different perfumes over the course of two weeks, just to see if its true, it seemed to me that the friction of rubbing the wrists together actually heated up the fragrances and made them seem more potent.

I have read though that the perfume can react not so nicely to the first layer of skin...and give off a smell that isn't pleasant. Others say that to spray the perfume in the air and then walk into it, I have done this before, and it seems that it lets you control the amount of fragrance that is applied to your skin, rather than spraying directly onto the skin, this works best with heavier perfumes.

I spray perfumes on my clothes when I want to make the scent last longer, I won't spray perfume on fragile fabrics like silks or lace. You can spray your coat with perfume. Also an old tip is to apply pure parfum extrait to your furs. Doing this is up to your own discretion.

Do not apply perfume after you put your jewelry on, take it off first, then apply the perfume. The chemicals in perfume can leave stains or have chemical reactions to the metals, Pearls are especially susceptible to damage from perfume since it destroys their lustre.

Coco Chanel always said to apply perfume where you want to be kissed. I read an old perfume guide from the 1930s and it mentioned that you can apply perfume to your fingertips and eyebrows. Also apply perfume to a cotton ball and tuck it into your brassiere. Apply perfume to your hankies or gloves.

Jeanne Lanvin of Lanvin Perfumes suggested that you should apply perfume wherever your clothes cover your body, that way it will seem if it is coming from within and blend with the natural oils of your skin to make a truly individual fragrance. She also says the best time to apply perfume is 15 or 20 minutes before you are about to go out, that way the perfume has time to "set".

A 1924 ad for Ann Haviland perfumes suggests:

#1. to apply perfume to your eyebrows as the short hairs of the eyebrows retain the perfume longer than the skin since evaporation takes place more slowly.Besides, this is an ideal two-some,the girl usually comes up to a man's chin, not far below his nose.

#2. One little known method of applying perfume is to saturate a piece of cotton with your chosen scent, place it under the shoulder strap of your slip. Body heat releases an aura about you.

#3. A glamorous method of using perfume is to spray it on the hem of your evening gown, then as you walk or dance, the fragrance is wafted into the air around you. This is the best way to do it.

#4. Another pointer is to apply perfume to the inside of your gloves, while your gloves are on, the warmth of your hands attract the perfume which will cling to the fingers.